PREFACE: If this is your first trip to my blog, I write a lot of transgressive fiction and my blog posts are resources for other transgressive writers. I offer book reviews, transgressive topics for inspiration, research on social change, and creative writing techniques. The article below is meant to support writers looking for information and/or ideas. Welcome! This past Wednesday, I made a post about Bodies and Permissions: Breaking Rules & Conduct. In that post, I introduce the use/abuse of the body in transgressive fiction and why it makes sense. In this post, I briefly talk more about how bodies can be used to break boundaries and create social commentary in transgressive fiction, and provide some specific plot points and statistics that could be used in creating a story that uses the body as a tool.
Coco D’Hont (2020) discusses Chuck Palahniuk’s deviation from the term transgressive fiction, and his comment on how it is no longer received well or exists post America’s 9/11. D’Hont thinks transgressive fiction is still alive though and she critically explores transgression “As a philosophical concept, moving beyond simplistic definitions of the concept as an umbrella term for any type of shocking or socially unacceptable behaviour, or fictional renderings of this. Instead, transgression is explored as a mechanism which (re)develops central social ideologies” (D’Hont, 2020, p. 8). I agree that transgressive fiction isn’t, or shouldn’t be, shocking for pure shock value. I suppose someone could write those stories, but I believe they’re way stronger when they have purpose behind them. What message is the author trying to send to a reader through this imagery? And that’s where craft comes in. D’Hont (2020) explores a variety of craft choices that five transgressive novels employ. One that she discusses frequently is seen across the five texts: the use of the body. Like, she specifically calls out the body as a craft choice. As I mentioned earlier this week, body violation is common in transgressive literature — but it makes sense; it is one of the only things that we will permanently own during our lifetime and the act of violating our body disrupts that. This act can symbolize multiple forms of loss that are relevant to a variety of American ideals making it a strong example of transgression. The interesting thing, though, is that even the other craft choices she identifies in transgressive fiction still revolve around the body. She also explores constructed hierarchies through the use of an “other”. In the novel Hogg, for example, she describes the character Hogg who is portrayed as physically filthy and running a rape business (which relates back to what I discussed in my post on Wednesday regarding the IBM layout of hierarchy). Then, she discusses the ways in which the novels explore societal complexities. This includes Beloved’s redevelopment of the perception of race and gender. The body keeps coming up. It’s used to create pictures, meaning, and messages. (Side note: D’Hont argues that these three craft choices demonstrate transgression’s role in shaping society, and how it calls attention to situations by creating exaggerated, aesthetic systems where the authors reveal, destruct, interrogate, and reform “the ideological structures of their extra-textual content” (p. 16) but that it doesn’t create change. The research I do considers how to use techniques like these three in combination with others to write stories that can create/impact social change. I haven’t yet discussed it on my blog — I will soon!) In the meantime, here are some ideas for destroying/harming the body to get you started writing a transgressive story. As I offer plot points and statistics below, I do it in hopes that you may incorporate them into a broader discussion, rather than just a dark story for dark story’s sake. BUT I also recognize you’re your own author and can do whatever you’d like. So here you go. Just a *few* examples of ways the body can be damaged or crossed to demonstrate transgression. Examples/Plot Points
from RAINN:
From NCADV:
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I'm Shannon Waite and I write stories about norms, characters who break norms, and society's wounds. They're always contemporary, often transgressive.
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