PREFACE: If this is your first trip to my blog, I write a lot of transgressive fiction and my blog posts are resources for other transgressive writers. I offer book reviews, transgressive topics for inspiration, research on social change, and creative writing techniques. The article below is meant to support writers looking for information and/or ideas. Welcome! Stalking: uncertainty over your privacy and safety, being watched at any given moment, continued harassment (sounds kind of like social media, eh?).
Stalking is considered abnormal, wrong, and bad by most people, unless they at first think of it as endearing or a form flattery, I guess. But most people think of it as bad. This alone makes it transgressive, but we’re going to up the transgression ante: female stalkers. (I will use genders described as male and female in this article just because that’s what’s referred to in the data I pulled). The typical stalker is portrayed as a male. We might also imagine these male stalkers as being in their 30s or 40s, angry over a rejection, and maybe unhinged. This isn’t the only scenario though… women also stalk. I was scrolling through my husband’s Netflix (which happens once a year — we don’t watch TV or movies more than that — he pays for it for his mom) and found the docuseries I Am a Stalker. I didn’t even end up watching it (ended up watching some other crime, murder, docuseries) but I was mulling over ideas for a new fiction piece at the time. I realized that a stalker story was perfect (because I was playing with a new fiction form based on a villanelle poem, where the structure is based on repetition; it would make complete sense that someone so focused on something, someone — stalking, would repeat things like I was going to have to do). The story I ended up writing is called “I Used to Live on the Tenth Floor” and can be read here. In order to write a story about a stalker, I did a little research that would support my character development. Below you can see some of the research I found (all sections are linked in the headers with where the information came from). Feel free to use it in your own transgressive writing. The definitions of transgressive/transgression: involving a violation of moral or social boundaries. An act that goes against a law, rule, or code of conduct; an offense. Stalking can be: Violent Scary Uncomfortable Always nonconsenting Obviously it goes against social boundaries and the law. This makes it a perfect topic to finagle and write into a transgressive story. I did the work so you don’t have to; here are the facts and statistics I gathered before I started writing my story so its plot would relatively reflect statistics accurately. I first give you stalking facts in general, and the source that I got them from, and then I provide statistics specific to female stalkers. Many of these links include more information that I’m not listing here, so I’d recommend checking them out if you’re interested. Stalking: Define the Crime Stalking is a repetitive pattern of unwanted, harassing or threatening behavior committed by one person against another. Acts include: telephone harassment, being followed, receiving unwanted gifts, and other similar forms of intrusive behavior. All states and the Federal Government have passed anti-stalking legislation. Definitions of stalking found in state anti-stalking statutes vary in their language, although most define stalking as “the willful, malicious, and repeated following and harassing of another person that threatens his or her safety” (1). Stalking: · Men commit stalking the most · 4 out of 5 victims are women · Stalking occurs most frequently between people who know one another · Women are most likely to be stalked by someone they were/are intimate with · Less than ¼ of women are stalked by strangers · Less than 1/3 of men are stalked by strangers · The majority of women stalked by intimate partners report having been physically assaulted by them (1/3 also report having been sexually assaulted by them) · Most stalkers are not psychotic (but often suffer from other mental health conditions including depression, substance use, and personality disorder) And from Safe Horizon: · 7.5 million people are stalked every year · About 1/6 women have experienced stalking at some point · About 1/17 men have experienced stalking at some point While female stalkers occur less, statistics do provide trends for them. Statistics show differences between who they stalk and how they do it compared to their male counterparts (although many characteristics are similar among both). Female Stalkers are: · Less likely to have criminal offenses or substance abuse diagnoses · Less likely to stalk a stranger · More likely to pursue a prior profession conflict · Often motivated by a “desire to establish a close and loving intimacy with the victim” · Females are less likely to threaten and then assault · Slightly less likely than males to assault (just 1 out of 5 female stalkers attacked their victim) · Ages vary from teens to above middle age · Many female stalkers seem to be single women in their mid-30s (comparable to male stalkers) · Education and IQ appear to be higher in female stalkers than female criminals in general · Females are less likely to follow their victims · Female stalkers threaten their victims at about the same rate as males (50–75%) · Violent female stalkers target males 67% of the time · On average, female’s victims were men at least a decade older than the female victims of male stalkers · Women are more likely than men to engage in same-sex stalking Because this research is one study and less than fifty people, I don’t plan to generalize here other details the researchers discuss, but I do suggest reading it. It includes data on 33 female stalkers, including their mental health, sexuality, who they stalked, motivations for stalking, criminal history, pursuit, threats, violence/deaths, escalation, and victims’ demographics. The researchers include data from their study, as well as data from other studies in their discussion. While females do stalk females, they also stalk males. In addition to female stalkers being less common and therefore less heard of, men being stalked is equally cut from the social narrative. It does happen though. This article offers a great personal account of a man’s experience, which helps provide story to the female stalker statistics. The short story (“I Used to Live on the Tenth Floor”) inspired by this research ended up being about a woman stalking her professor. Other ideas for people a woman might stalk: · Her counselor · Her best friend · A former coworker or boss she wants revenge on · A former lover · Previous maid/nanny · Physical trainer/coach · Lawyer · Family doctor For more information on female stalkers, check out The American Journal of Psychology’s “A Study of Women who Stalk”. This behavior has a wide-reaching deep dive you could jump into if you’re interested. The information I collected here helped me develop my character for the story I wrote. Like I mentioned, I was using a form that required repetition, and so having a character focused on a man allowed me to explore that. Next post, I’ll be talking about the form I used for this story (and how I really enjoy playing with different narrative forms in my prose).
0 Comments
PREFACE: If this is your first trip to my blog, I write a lot of transgressive fiction and my blog posts are resources for other transgressive writers. I offer book reviews, transgressive topics for inspiration, research on social change, and creative writing techniques. The article below is meant to support writers looking for information and/or ideas. Welcome! This past Wednesday, I made a post about Bodies and Permissions: Breaking Rules & Conduct. In that post, I introduce the use/abuse of the body in transgressive fiction and why it makes sense. In this post, I briefly talk more about how bodies can be used to break boundaries and create social commentary in transgressive fiction, and provide some specific plot points and statistics that could be used in creating a story that uses the body as a tool.
Coco D’Hont (2020) discusses Chuck Palahniuk’s deviation from the term transgressive fiction, and his comment on how it is no longer received well or exists post America’s 9/11. D’Hont thinks transgressive fiction is still alive though and she critically explores transgression “As a philosophical concept, moving beyond simplistic definitions of the concept as an umbrella term for any type of shocking or socially unacceptable behaviour, or fictional renderings of this. Instead, transgression is explored as a mechanism which (re)develops central social ideologies” (D’Hont, 2020, p. 8). I agree that transgressive fiction isn’t, or shouldn’t be, shocking for pure shock value. I suppose someone could write those stories, but I believe they’re way stronger when they have purpose behind them. What message is the author trying to send to a reader through this imagery? And that’s where craft comes in. D’Hont (2020) explores a variety of craft choices that five transgressive novels employ. One that she discusses frequently is seen across the five texts: the use of the body. Like, she specifically calls out the body as a craft choice. As I mentioned earlier this week, body violation is common in transgressive literature — but it makes sense; it is one of the only things that we will permanently own during our lifetime and the act of violating our body disrupts that. This act can symbolize multiple forms of loss that are relevant to a variety of American ideals making it a strong example of transgression. The interesting thing, though, is that even the other craft choices she identifies in transgressive fiction still revolve around the body. She also explores constructed hierarchies through the use of an “other”. In the novel Hogg, for example, she describes the character Hogg who is portrayed as physically filthy and running a rape business (which relates back to what I discussed in my post on Wednesday regarding the IBM layout of hierarchy). Then, she discusses the ways in which the novels explore societal complexities. This includes Beloved’s redevelopment of the perception of race and gender. The body keeps coming up. It’s used to create pictures, meaning, and messages. (Side note: D’Hont argues that these three craft choices demonstrate transgression’s role in shaping society, and how it calls attention to situations by creating exaggerated, aesthetic systems where the authors reveal, destruct, interrogate, and reform “the ideological structures of their extra-textual content” (p. 16) but that it doesn’t create change. The research I do considers how to use techniques like these three in combination with others to write stories that can create/impact social change. I haven’t yet discussed it on my blog — I will soon!) In the meantime, here are some ideas for destroying/harming the body to get you started writing a transgressive story. As I offer plot points and statistics below, I do it in hopes that you may incorporate them into a broader discussion, rather than just a dark story for dark story’s sake. BUT I also recognize you’re your own author and can do whatever you’d like. So here you go. Just a *few* examples of ways the body can be damaged or crossed to demonstrate transgression. Examples/Plot Points
from RAINN:
From NCADV:
PREFACE: If this is your first trip to my blog, I write a lot of transgressive fiction and my blog posts are resources for other transgressive writers. I offer book reviews, transgressive topics for inspiration, research on social change, and creative writing techniques. The article below is meant to support writers looking for information and/or ideas. Welcome! With about 8% of the American population being blind, the other 92% of people will often first be introduced to other humans through sight. What does this mean? It means when I meet you, I first see what I think your gender is. What your skin color is. What your age is. If you use any assistance for disabilities. How you dress. If you have piercings or tattoos. Your size (relevant to height and weight). The kind of face you’re making (do you look pleasant or angry?) (among other things).
So now that I’ve looked at you, all of these things I just saw connect to previous assumptions I’ve made about people who look like that. This shows how “Human bodies are both biological and social in nature.” Bodies and Permissions: Breaking Rules & Conduct Now that I’ve used your body to assign you an identity in my mind, I decide what permission that gives me, and this, folks, is what makes bodies so usable in transgressive fiction. Transgression is an act that goes against a law, rule, or code of conduct; an offense. If I’ve determined how I should interact with you or what I am allowed to do to you or the ways I can treat you based on your identity (or perceived identity), this may not align with what’s fair to you. This may, in fact, be harmful to you and could be an “offense”, right? It could act against an expected conduct, like the conduct of just being a decent human being who doesn’t hurt others. But by invading others’ bodies, by showing those bodies damaged or destroyed, in the way that transgressive fiction often does, those stories are sending a message about identity and permissions. This website talks about identities and permissions with IBM (International Business Machines), a technology company. It’s not talking about humans at all, but it breaks down the definitions and boundaries from a technology standpoint so well that it coincidentally aligns perfectly with what I’m talking about! So even though we’re talking about humans here, I want to look at IBM’s discussion. We start with roles: “Role hierarchy -- Roles can be hierarchical. One role might act as a parent role to another role. This role hierarchy is provided by this query subject. It can provide the role details like ID, name, description; and it provides similar details for the parent role.” And then we talk about how the hierarchy of roles offers details about identities: “Identity role attachment This query subject provides details about identities that belong to a role. These roles are associated to a project” And then we start diving into entitlement and membership qualifiers. With membership qualifiers, they say, “The users, who qualify based on those attributes and values specified in the rule, are part of the role or are associated with that role.” So what happens to those who don’t qualify for the group? This is where using the body to create identities can turn transgressive– How do people react to others who do not belong to their group? IBM says that “Permissions are part of or are associated to a role. Permission can exist in a hierarchy.” And often times, people will decide what permissions they have based on the identity they’ve assigned you. So as transgressive writers, the body is a perfect tool for exploring the breaking of permissions, of transgressive acts, of autonomy and social structures. Examples of using the body in transgression include: Tampa by Alyssa Nutting Explicit description of sexual acts with an adult woman using a child’s (multiple children’s) body for pleasure. This story makes us consider power, manipulation, and what does or doesn’t count as permission. American Psycho by Bret Easton Ellis The main character, seemingly put together and doing well (as an investment banker) by American standards, repeatedly brutally murders a variety of people in the novel. The horror of all this isn’t because of what the novel itself writes about, but the society it reflects. Boy Parts by Eliza Cark The easily hate-able narrator uses men’s bodies in her photography to flip gender roles and demonstrate her own self-destruction. Fight Club by Chuck Palahniuk The story shows multiple acts of violating/harming the body: male strangers fighting for the sake of fighting, using lye to create burns in the skin, the threat of death through project mayhem catastrophes… This book considers the body, consumerism, and what is important in life before we die. Hogg by Samuel R. Delaney This novel shows multiple characters who participate, graphically, in murder, child molestation, incest, necrophilia and rape among other things. All of which deal with power and permissions (/lack thereof) of harming another’s body. And so many more. Violence and sex are often used as tools in creating a transgressive novel because it’s easy to abuse the body. Use someone else’s body to harm them, hurt them, damage them — physically, psychologically, and emotionally. Many laws or social rules of conduct can be broken through these behaviors, which is why oftentimes transgressive fiction employs these acts. What are other examples of body-violation in transgressive fiction that you can think of? Check out my follow-up post with graphic ways the body can be used in transgressive fiction. |
I'm Shannon Waite and I write stories about norms, characters who break norms, and society's wounds. They're always contemporary, often transgressive.
Popular Posts Archives
October 2024
Categories
All
|